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Slacker-pop dispatches from the indie underground: The Kind Hills craft unhurried, jangly odes to simplicity that resonate deeper than they let on, while Superdestroyer tackles addiction and the pain of loving people you also sorta hate across a riff-and-synth-laden LP. Zenxith delivers their most atmospheric DIY jangle-pop yet, recorded phone-in-hand and soaked in chorus pedal, asking pointedly "does anybody care?" The Boy With The Greyhound Tattoo celebrates thirty years of indie-pop with a definitive compilation spanning cinematic orchestral tracks to noisy guitars, while Get Lost Cassidy Frost delivers something fun, weird, and totally its own thing.
