From the outer edges of sound: Dino DiMuro lovingly reconstructs a Beefheart classic, singing and playing every guitar, bass, and drum himself. Dead Voices On Air's Mothcomma moves past genre entirely — shifting between shadowed song structures, fractured rhythms, and spectral atmospheres both intimate and alien. Mannequin Pants'd conjures unplanned chaos-rituals from glossolalia, lo-fi field recordings, and the unskilled playing of a thousand random instruments. Kilmarth offers understated IDM/glitch built around tension and minimalism, while The Abstract Observer traces infinite paths through ambient electronics inspired by Feynman, and Left in Twain scores a world of grief and dread that only exists in our heads.

Experimental releases

Safe As Milk by Dino DiMuro cover art

“Cover version of the Beefheart classic, recorded entirely by Dino DiMuro”

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Avant de céder... by Kilmarth cover art

“A step into an uncanny sonic universe, where early glitch echoes meet contemporary production and a more defined artistic identity, never nostalgic, always evolving.”

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