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Immersive soundscapes emerge: Noise For No One fuses handcrafted instruments and modular synth with antique piano accordion for divine electroacoustic compositions, while The Shining Tongues delivers lush noir-pop and gothic folk intensity. Lars Haur explores agony in our agonizingly monochrome constructed world, and Jeff Surak crafts deconstructed electronic pop from field recordings and household debris.
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Take Me There
All you will ever wish for is to get back there
An old man and a magical forest
Fixed Expression
Three Laments
synth, drone, instrumental from Argentina
James Parrott
Kingdom of Dust
a somewhat similar vein to Sobek.