In a seismic collision of glacial soundscapes and consciousness-shifting frequencies, Petridisch's 358 delivers Genesis-inspired electronic abstractions, while The Corpse Of The Mother Of God plunges into industrial-noise depths. Missing Scenes crafts Fennesz-like euphoric cascades, as Erorrist weaves haunting piano motifs through existential drone-metal territories. OVRSCN experiments with amorphous textures via Make Noise STREGA, while I Only Like Difficult Art champions avant-garde composition across two mind-bending hours.
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James Parrott
Dark Days of Winter
"I am proud to announce that once again I am back on my Field Recording bullshit."
Fixed Expression
An Unclear Path
"Sometimes you just need to embrace your pain"
Ken Wohlrob
The Conclusion
"Layers of organs, synthesizers, fuzzed-out guitars, string instruments, and electronic noise, the soundscape slowly builds over the course of seven minutes, weaving contrasting melodies and pulsing tones"