In a monolithic tapestry of sonic extremes, industrial pioneer Walter Campbell mutates vocals into haunted electroacoustic hallucinations, while The Corpse Of The Mother Of God forges new industrial-noise territories alongside genre veteran Allan Zane. Spectre Horsemen, Pale With Dust conjures extra-terrestrial doom jazz that dissolves into pure ambience, as OVRSCN sculpts amorphous masses of shifting textures through STREGA-processed experiments.
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Aloes
I
"Stilted, minimalist drum machine spats and repetitions of contrapuntal synth syncopations."

rich wh
To See When We Speak
"Exploring sound and primal rhythm during late night modular synthesiser sessions when all is still."
