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Immersive soundscapes emerge: Noise For No One fuses handcrafted instruments and modular synth with antique piano accordion for divine electroacoustic compositions, while The Shining Tongues delivers lush noir-pop and gothic folk intensity. Lars Haur explores agony in our agonizingly monochrome constructed world, and Jeff Surak crafts deconstructed electronic pop from field recordings and household debris.
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The Corpse Of The Mother Of God
The Happiest Place
New project by Spite Cathedral and one of the innovators of the “Industrial-Noise“ genre Allan Zane.
Nebuleth
Raised By Robots
Dreamy Nostalgic Synthwave Transmissions from the Future