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Immersive soundscapes emerge: Noise For No One fuses handcrafted instruments and modular synth with antique piano accordion for divine electroacoustic compositions, while The Shining Tongues delivers lush noir-pop and gothic folk intensity. Lars Haur explores agony in our agonizingly monochrome constructed world, and Jeff Surak crafts deconstructed electronic pop from field recordings and household debris.
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Spite Cathedral
Life Kills, Bury Me In Concrete Once Again
Described as 'sounding like the bastard son of Genesis P. Orridge and Alice Coltrane'.
Atavus Infectum
Observance #3
The Blue Mountains Void Observance League exists to honour the void through the creation, distribution and performance of immersive drone, dark ambient and noise soundscapes.