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Immersive soundscapes emerge: Noise For No One fuses handcrafted instruments and modular synth with antique piano accordion for divine electroacoustic compositions, while The Shining Tongues delivers lush noir-pop and gothic folk intensity. Lars Haur explores agony in our agonizingly monochrome constructed world, and Jeff Surak crafts deconstructed electronic pop from field recordings and household debris.
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iV
where dust collects
Layers of synths collide to create a hazy world.
Draisine
My Name Is Taken
a plunge into a sweep abyss of sonic garbage
the microphone is 3 electric guitars
the microphone is 3 electric guitars.ep (UNIT 00)
It's called 'the microphone is 3 electric guitars' because the microphone is 3 electric guitars.