Forged in ancient hatred and raw malice: Funeral Winds' Koude Haat stands as a frozen, uncompromising monument of pure second-wave Dutch black metal — no polish, no symphonic fluff, just calculation-free malice and graveyard atmosphere — while Screaming for Resurrection collects the definitive 1993–1994 recordings, raw and eternally Satanic. immortal ebt's wonderlost drifts into psychedelic and textured ambient black metal and shoegaze, while The Utter's In The Empyrean Loft channels raw black metal through English and Hungarian lyrics in a concept album about the wind. Oskoreien's Hollow Fangs delivers an intensely personal catharsis born of near-death, love, and shattered family in "incisive fury and splendor."

Black Metal releases

Godslayer XUL by Funeral Winds cover art

“FUNERAL WINDS – GODSLAYER XUL: Raw 1995 Dutch black metal onslaught—unpolished, venomous, and pure Satanic fury—straight from the frozen underground for the die-hard cult.”

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Devil Cult by Domini Inferi cover art

“An unyielding manifestation of pure Satanic Black Metal, Devil Cult is a masterpiece of bestial hymns and ritualistic darkness.”

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