Forged in ancient hatred and raw malice: Funeral Winds' Koude Haat stands as a frozen, uncompromising monument of pure second-wave Dutch black metal — no polish, no symphonic fluff, just calculation-free malice and graveyard atmosphere — while Screaming for Resurrection collects the definitive 1993–1994 recordings, raw and eternally Satanic. immortal ebt's wonderlost drifts into psychedelic and textured ambient black metal and shoegaze, while The Utter's In The Empyrean Loft channels raw black metal through English and Hungarian lyrics in a concept album about the wind. Oskoreien's Hollow Fangs delivers an intensely personal catharsis born of near-death, love, and shattered family in "incisive fury and splendor."

Black Metal releases

All Too Human by Oskoreien cover art
43 in stock

“Black metal concept album exploring free will and morality via the tragic story of Charles Whitman”

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Hollow Fangs by Oskoreien cover art
46 in stock

“Black metal songs about love and death”

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