When the darkness gets loud and confrontational: I Ya Toyah's FEELINGS is a hard-edged industrial statement that turns the mirror on modern humanity — biting irony, unapologetic force — while Apology doubles down with crushing riffs and hypnotic grooves, blurring the line between justified pain and dangerous entitlement. Montreal's The City Gates' Chimera pulls you into a nocturnal landscape of post-punk urgency and shoegaze atmospherics — brooding rhythms meeting shimmering walls of sound — while Coma Beach's A Madman's Dream/Mind Descending fuses punk's feral bite with Beckett-fueled existential cold precision. som som offers lo-fi relief with moody verses exploding into noise-pop euphoria, and Taste Lips keeps the post-punk energy surging with upbeat riff-driven grit.
Coma Beach
The Scapegoat's Agony
“The Scapegoat’s Agony' — Coma Beach’s razor‑sharp blast of punk catharsis and existential turmoil
Coma Beach
I Won't Listen
Coma Beach’s 'I Won’t Listen' cuts like shards of broken glass — four violent jolts of punk rock refusal and post-punk gloom.