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Dark currents run deep: I Ya Toyah's WHITE WALLS is a raw confession and an outstretched hand — confronting the invisible distance between how we appear and what we're actually surviving, with proceeds supporting mental health advocacy. Chalice Sect's Finis Initii closes one era with pulsating beats, dancefloor-insistent melodrama, and EBM-charged post-punk darkness. Jacob's Fall's The War We Miss? is sinfully counterintuitive and deeply atmospheric — symphonic, somber, and dipped in the deepest minor. Alxael's Bleed for the Machine fires a high-energy shot straight at the heart of generative AI.
Alternative Rock releases
31 in stock
“An expansive musical journey led by talking guitars and progressive rock drumming”
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35 in stock
“Combines Dino's quirky rattletrap rhythms with Darren's killer stadium vocals”
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“looks back at that time and style”
“at its core, a song about writer’s block”
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“a fictional account of two outlaws on the run from the law”
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“dark, alternative rock with sweeping guitars and synths”
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“a journey through contrasting themes of society adapting to normalcy”
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“Songs about sleep, aging, family, and anxiety.”