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“A bit of pop fluff to celebrate the miracle of sun dresses seen out in the wild, and the pretty girls who wear them.”
Dark currents run deep: I Ya Toyah's WHITE WALLS is a raw confession and an outstretched hand — confronting the invisible distance between how we appear and what we're actually surviving, with proceeds supporting mental health advocacy. Chalice Sect's Finis Initii closes one era with pulsating beats, dancefloor-insistent melodrama, and EBM-charged post-punk darkness. Jacob's Fall's The War We Miss? is sinfully counterintuitive and deeply atmospheric — symphonic, somber, and dipped in the deepest minor. Alxael's Bleed for the Machine fires a high-energy shot straight at the heart of generative AI.
Alternative Rock releases
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“Post-punk + Indie rock + a handful of sad and happy sound influences.”
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“Dreamy softness permeating the nuances of life.”
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“An experimental rock opera for the bleakest of times.”
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“A swirling ocean of dream rock and shoegaze brought to you by beneathwaves.”
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“One-woman band playing introspective melodic death metal”
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“This song envelops you in a dark, hypnotic soundscape of shadowy allure, weaving a sinister tale of obsession with a “snake of a man” whose charm is as dangerous as it is irresistible.”
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“'Anomalous Trackologies Split' is a ten track noise rock weirdo extravaganza by y Heavy Insect // Haggari Nakashe & gaop”
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“It's hard to explain what life was like back then, working at the Video Den.”
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“Nostalgic emo/pop-punk”
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“Maanen Faces returns in 2025 with a new immersive album, where psychedelic prog rock flirts with the apocalypse, capturing torments of a hyper-connected world.”