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“Meet the ultimate villain. Told as a dialogue between a killer and his victim, this doom folk ballad depicts human evil as a brew of entitlement, grievance, and sheer lunacy.”
From the darker corners of the rock spectrum: Song for a Gorgeous Blonde contorts an old demo into an unholy mixture of Downtempo, Jazztronica and Prog — with a Steely Dan echo lurking near the end — while their "Rehearsal for Sunday" drifts through reverent church-like organ with a nasty, unrehearsed solo. BEN GEL rattles listeners with heavy, bass-driven positivity — respect all, carry less — then pivots to the raw ache of no closure, no goodbye. The Sleeping Cliffs serve upbeat alt-prog with Motown vibes and indie sleaze, and Shadows of my Doubts trace a life from daybreak to dusk through 80s-infused symphonic shadows.
Rock releases
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“A pop rock song ala The Replacements that features a violin solo and is about anxiety as a ghostwriter.”
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“From the first explosive moments of leadoff track “Easy Lies” the chemistry of this Austin, TX ensemble is undeniable, and it carries us through a breathless 9 song manifesto on the vitality of ful...”