“'À propos des diverses formes de Passerelles is a metaphysical mind-fucker inked in feedback, alchemical texts, and gut-born guitar wails.' -The Third Eye Blog”
Dissolving into psychedelic fever dreams and mutant electronics: Muzaq for Frogs pays eerie tribute to cult film Decoder (1984) with a collaborative sonic séance. Chris of Wilderness conjures scorched earth blues and alien electronics from the Sonoran Desert, while Kidnappers in Their Sleep navigates interstitial zones with hardware synths and genre-defying poetic backbone. Replaced By Robots delivers guitar-driven rock that feels "simultaneously familiar, futuristic, emotive and SLIGHTLY WRONG," and Aidan Siegele's TRÄUMEN blends indie rock roots with psychedelic and ambient textures exploring memory, uncertainty, and hope.
“'À propos des diverses formes de Passerelles is a metaphysical mind-fucker inked in feedback, alchemical texts, and gut-born guitar wails.' -The Third Eye Blog”
“From Sun Records strut to bearded space station confessions: one brain, zero genre loyalty.”
“Harmonious, poetic, psychedelic folk-rock 'in the best traditions of some of the more esoteric folk musicians from the 60s and 70s'”
“A raw and fearless fusion of protest-driven lyrics and psychedelic rock grooves, Anotherside channels the band’s underground spirit into an urgent sonic trip through political dissent and personal ...”
“Hip Hop/Psychedelic Rap - Partying At The End of Time is a critique of modern life, a celebration of humanity, a reflection of grief, and a story of new beginnings. CHEERS!”