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Indie's introspective depths unfold: Letters from Mars delivers a deeply vulnerable concept album about the cycle of love and chaos, while som som transforms existential dread into hypnagogic pop euphoria for the end times. Rebekkah The Band crafts poems that grew melodies in their short story of war and love, and som som offers recession pop with shiny euro-pop production hiding restless anxiety underneath. tazdi shares a breakup album five years in the making, mixing rnb, indie, cloud rap and hyperpop from tracks first written at age 13.
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The Boy With The Greyhound Tattoo
Kingfisher
chamber-pop with sprinkles of 80’s/90’s indie
Edgar Hurley
Have Arms, Will Hug
A decidedly fabled collection of tricks old and new.
