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“'A Madman's Dream/Mind Descending' fuses punk’s feral bite with post‑punk’s cold precision, lurching between fever‑dream urgency and razor‑edged clarity”
Guitars-forward and gloriously unhinged: Das Schwat's So Beautiful (by Das Schwa) resurrects the German-Norwegian Herr Wade catalogue with elegantly crooned indie-rock, the 'wall of sound' built not by an orchestra but by a host of different guitars and a pulsating rhythm section. Coma Beach's The Scapegoat's Agony delivers a razor-sharp blast of punk catharsis and existential turmoil drawn from Beckett to Schopenhauer, while their Edits, Odds & Ends resurrects the full fractured odyssey remixed and resurrected. The Sleeping Cliffs' Goose Congress smashes Motown vibes, indie sleaze, and noise rock into one upbeat instrumental EP, and som som's safe space offers lo-fi but lush introspection — contemplating loss, moss, and acceptance.
Indie Rock releases
“Celebrating thirty years of indie-pop (sheeesh!), this definitive compilation charts three decades of music from The Boy With The Greyhound Tattoo, spanning everything from cinematic orchestral tra...”
