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“Clocking in at only 2:35, Jeremy Abrams' 'Blindside' delivers everything you’d want in a pop punk anthem—tight drums, a singalong chorus, varied arrangement, and a headbanging-worthy guitar solo.”
Feeling every frequency of the emotional spectrum: Matt DeMello's Canaries for the Cauldron is a "truly unhinged" B-sides collection spanning doo-wop Sublime covers to banjo-laden LCD Soundsystem — utterly unpredictable and essential. Tabsplitter's End of the Line delivers energetic yet melancholic songwriting drawn from visceral firsthand encounters at the train platform. The Darts' Topple Over Yesteryear channels hooligan fury with proud punk-rock anarchy, while All That Remains of Popularity Wars carries the mystique of missing tracks and lost CDs. Andrew Marshall's Waited Forever vents and perseveres, driven by one broke guy's unshakeable passion for making the best songs he can.
Emo releases
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“The Extraction of the Stone of Madness is a record made in Chicago dedicated to its working class.”
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“drowned in digitalism and dried off with analogue”