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From the frozen underground: Funeral Winds delivers a landmark slab of uncompromising Dutch black metal — raw, graveyard-cold, and devoid of modern polish — while Screaming for Resurrection exhumes their pivotal 1993–1994 recordings, hateful and eternally Satanic. Oskoreien meditates on free will and tragedy through unrelenting waves of achingly beautiful melody, and Elk Hunter bridges past and future with dark, meaningful stories told through a reimagined, evolved sound.