Sub-bass frequencies collide with conscious verses: Onepacman's OPM Selected 5 opens a multi-dimensional flow portal — expect deep, expect unexpected. JT's Collateral Damage delivers a powerful, timeless peace message straight from Angel Town, while DRNO1's Simulation Theory brings a veteran psychonaut's take on simulation theory over epic bass production. SNAGGA1's Surfing On Time Waves loops through Möbius-theory rap, and Simon Heartfield's The End Of Science EP strips it back to raw hardware techno — no computers, just machines.

Bass releases

Tunes From The Darkside by ΣΕΘ(SET) cover art

“Two artists, two shades of horror....”

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I'M ALREADY DEAD by Dream Black cover art

“Pitch black soundscapes for late night sets”

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CULTURE EP by Rhyot cover art
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“Rhyot’s CULTURE EP is a four-track dark electronic record that pushes into anxious atmospheres, chilling soundscapes, heavy midtempo rhythm, and abrasive industrial sound design.”

Surfing On Time Waves (Ft. Worf) by SNAGGA1 cover art

“'There is the theory of the Möbius, when time becomes a loop!' Worf, Star Trek TNG”

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