No codes left
“Another hybrid release by Antonin De Bemels, that owes as much to techno as it does to psychedelic music, with some piano thrown in for good measure.”
From the fetid depths of the bog: syn.terra's Kharybdis serves up piano-driven industrial jazz swamp grooves with horns, upright bass, and dangling vines — a bluesy stroll through the swamp at sunrise — while Aeon / Umbrasia closes the trilogy with mechanical jazz dredged from the bog, rust-neglect drums, and melodic trumpets. Mother Raspberry & A.R.C.'s Second Entrée is a sonic buffet spanning rock, jazz, and metal — think flavored footwear and specialty cakes — while Mother Raspberry and the Lord Prometheus Jon. LXVII delivers strange progressive industrial jazz as the soundtrack to a film that barely exists.
Jazz releases
No codes left
“a vibe”
24 in stock
“collected weirdness”
“The solo albums by ZSC are guitar improvisations over instrumental pieces, all self-produced.”
No codes left
“Branches is an experimental EP mixing various musical styles in new age, downtempo and progressive folk”
“Dark melancholia for impenetrable night times.”
No codes left
“mellow grooves”
No codes left
“10 pieces of music made for a theatre play about painter Frida Kahlo, an unconventional soundtrack on just electric guitar, alive, bare, still rich in melody, rhythm and emotion, light and darkness.”
No codes left
“soundtrack for a day by the train tracks”
No codes left
“Experimental jazz fusion noise rock”