“Fiery, expansive, soulful, inquisitive modern jazz spanning post-bop, fusion, hip hop, and classic styles.”
Strange progressive industrial jazz incoming: Mother Raspberry and the Lord Prometheus Jon. LXVII sends a time-traveling Monarch across America's political landscape, serving up lost theme songs and heavy jaunts from a soundtrack to a film that barely exists, while Madness Beyond the Dome delivers part two of Mother Raspberry & A.R.C.'s two-volume Frasier salute. syn.terra's Mechanical Jazz fuses pianos, horns, and upright bass with distorted synth saws and mechanized drums, and Kharybdis doubles down with piano-driven industrial jazz swamp grooves fit for a stroll at sunrise. David Dellacroce rounds things out with solo atmospheric guitar — modal melodies, drowsy drones, and sounds "like a household appliance achieving enlightenment."
“Fiery, expansive, soulful, inquisitive modern jazz spanning post-bop, fusion, hip hop, and classic styles.”
“A compilation of live, backing track performance recordings from various performances by the self proclaimed 'singer-songcyclist' at Green Kill Gallery in Kingston, NY.”
“Tracing the shimmer of mid-summer light as it melts into shadow, a haze of sound and fading warmth.”
“A lo-fi, late-night album from aces coffee club. Made in one sitting with a toothache and a looper.”
“Another hybrid release by Antonin De Bemels, that owes as much to techno as it does to psychedelic music, with some piano thrown in for good measure.”
“Branches is an experimental EP mixing various musical styles in new age, downtempo and progressive folk”