“A love song from the projected beyond”
Chiming guitars and restless hearts: The National Honor Society boldly reinvent themselves with swirling electro-pop anthems surging with OMD-reminiscent synths and unapologetic power chords, while Inland Years pair lo-fi indie rock, jangle pop, and folk into intimate emotional snapshots of memory, regret, and renewal. Hidden Eyes deliver jangly indie and noise-pop gems from their enigmatic duo universe, and Mythical Motors celebrates twenty pioneering years of crushed lo-fi power-pop. Zenxith delivers deeply personal, jangly lo-fi indie-pop born from tambourines, stacked guitars, and a troubled heart on his remarkable 20th album.
“Quirky, jangle that claims the musical hinterland between the 1990s indie-pop and todays bedroom-pop modernity”
“The perfect juxtaposition of dry slacker pop, incidental jangled riffs and fuzz-laden aural textures.”
“Highly sophisticated indie pop about beer, nipples, more beer and - exactly! - even more beer.”
“4 new tracks recorded since the release of his Perfect Hour album earlier this year, Think I’ve Got It Now is a taste of what’s to come on the next Sorry Monks long player.”
“There is every reason to give up (and hold on). The late Steven 'Jesse' Bernstein's poem, as imagined in musical form.”
“Burnished, lo-fi jangle-rock has never felt quite so naturally vital as it does in the hands of AM Shanley.”