Cranking the alternative rock dial to eleven: I Ya Toyah's Closer reimagines Nine Inch Nails' iconic track as a haunting meditation on validation and digital identity, fusing industrial rock with dark electronic textures and cinematic intensity. Coma Beach's Passion/Bliss delivers a five-track fever dream straddling punk abrasion and post-punk hallucination, steeped in Beckett and Schopenhauer. Rural France's SLOTHS is their jangliest, most baroque album yet — organs, horns, mellotron and Silver Jews-esque Americana celebrating "the absurdities of getting older" while honoring their "Pavement playing Teenage Fanclub" mission statement. Publicity Department's S. Michael Brook And The Steam-Powered Trains channels the Raspberries through 90s alt-rock sensibilities — crunchy guitars, two-part harmonies, and one primal scream cutting through the jollities.

Alternative Rock releases

The War We Miss? by Jacob's Fall cover art

“The War We Miss? by Jacob's Fall is sometimes playful, then sinfully counterintuitive, sometimes theatrical, always atmospheric, then somber and melancholic.”

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The Scapegoat's Agony by Coma Beach cover art

““The Scapegoat’s Agony' — Coma Beach’s razor‑sharp blast of punk catharsis and existential turmoil”

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