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“a mishmash of rock and soul, indie, acoustic, psychadelia with the odd electronic beat thrown in here and there”
Dark currents run deep: I Ya Toyah's WHITE WALLS is a raw confession and an outstretched hand — confronting the invisible distance between how we appear and what we're actually surviving, with proceeds supporting mental health advocacy. Chalice Sect's Finis Initii closes one era with pulsating beats, dancefloor-insistent melodrama, and EBM-charged post-punk darkness. Jacob's Fall's The War We Miss? is sinfully counterintuitive and deeply atmospheric — symphonic, somber, and dipped in the deepest minor. Alxael's Bleed for the Machine fires a high-energy shot straight at the heart of generative AI.
Alternative Rock releases
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“Montreal's The City Gates deliver a jangly post-punk tune with shoegazed guitar whirls and a driving pulse.”
5 in stock
“Honesty Doesn't Pay is the debut album of Boston/NYC-based art rock project Supermarket Parking Lot, spanning 11 tracks of heartbreak, anxiety, rumination, and acceptance.”
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“A delightfully neo-noir twist on modern darkwave, Tangled Sheets effortlessly evokes contemporaries like Boy Harsher and NNHMN with beats informed by club atmospheres steeped in dark romance.”
39 in stock
“Noises Beyond is an '80s horror-inspired exploration of darkwave and post-punk that flits between morose and campy vibes for a uniquely cinematic experience.”
24 in stock
“a television show within a television show within a record.”
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“Is there such a thing as true love, Burn for You is simply about how far one is willing to go to have it.”
“Inaugural volume of Boston Not LA compilation series! Featuring Skyjelly, Night Fruit, Jenova 7, Zip-Tie Handcuffs, Walter Sickert & The Army of Broken Toys and more”
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“Three recent singles PLUS two newly mastered songs from the unreleased album ELMWOOD!”
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“An unpretentious, self-produced power pop record that blends early indie influences with occasional stylistic detours, all driven by a purely underground spirit.”
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“A slow-burning, downtempo postpunk cover of David Bowie's deep cut 'No Control' with industrial and '90s Depeche Mode influences.”