““Walk Through Ashes” is a song about facing the darkness, embracing the scars, and finding the strength to keep moving forward. If you’ve ever had to fight your way through the fire, this one is fo...”
Dark currents run deep: I Ya Toyah's WHITE WALLS is a raw confession and an outstretched hand — confronting the invisible distance between how we appear and what we're actually surviving, with proceeds supporting mental health advocacy. Chalice Sect's Finis Initii closes one era with pulsating beats, dancefloor-insistent melodrama, and EBM-charged post-punk darkness. Jacob's Fall's The War We Miss? is sinfully counterintuitive and deeply atmospheric — symphonic, somber, and dipped in the deepest minor. Alxael's Bleed for the Machine fires a high-energy shot straight at the heart of generative AI.
““Walk Through Ashes” is a song about facing the darkness, embracing the scars, and finding the strength to keep moving forward. If you’ve ever had to fight your way through the fire, this one is fo...”
““The Scapegoat’s Agony' — Coma Beach’s razor‑sharp blast of punk catharsis and existential turmoil”
“A raw, existential blast of punk‑driven despair and dark wit — Coma Beach’s fractured odyssey, remixed and resurrected”
“Coma Beach’s 'I Won’t Listen' cuts like shards of broken glass — four violent jolts of punk rock refusal and post-punk gloom.”
“A remarkable conceptual album where found writings become an intimate journey through art rock, progressive music and experimental songwriting.”
“Lenny and the D's self titled is a smash up of fast paced indie rock with introspective, wall-of-sound vocal harmonies, all wrapped up in a groovy, self-aware package.”
“On the critically acclaimed new album 'Chimera,' The City Gates blend post-punk, shoegaze, and darkwave into a reverb-heavy, atmospheric sound driven by pulsing basslines and cinematic intensity.”
“Industrial powerhouse I Ya Toyah reveals 'FEELINGS,' a hard‑edged industrial statement that turns the mirror on modern humanity — and doesn’t look away.”