Jangle pop's finest hour: Few Border blends subtle gaze inflections with beautifully lucid jangled riffs found with consummate ease, while Liberty Belle delivers the most beautifully fragile indie-pop imaginable — firmly at the McLennan end of The Go-Betweens repertoire. Shapes Like People push traditional Jangle Pop into Dreampop and Shoegaze territory across twelve seamless, hook-laden tracks on Under The Rainbow. The Kind Hills craft unhurried jangly indie-pop odes to simplicity that never stray into the fluffier realms of contrition, and Sorry Monks evoke the golden age of guitar-pop — Mamas and Papas meets Between The Buttons-era Stones — without a hint of pastiche.

Jangle Pop releases

Robertson by Robertson cover art
10 in stock

“Chiming acoustic pop with flavours of psychedelia , Folk Rock & Americana”

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Segunda Mano by La Mano de Cervantes cover art

“An unpretentious, self-produced power pop record that blends early indie influences with occasional stylistic detours, all driven by a purely underground spirit.”

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Untitled by Hanemoon cover art
39 in stock

“Hanemoon are one of the finest purveyors of jangly riff resonance is jangle-pop modernity”

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