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Indie's emotional spectrum deepens: Woodworking Machine spans from danceable pop to explosive ballads across her gnarliest reality and whimsical fantasy, while Letters from Mars delivers a deeply vulnerable concept album about the cycle of love and chaos. som som transforms existential dread into hypnagogic pop euphoria for the end times, and som som crafts recession pop with shiny euro-pop production hiding restless anxiety underneath. hiromi yuu offers shoegazy discarded songs from Mexico before taking a university break.
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