“The malls are not what they seem.”
Jangle-pop dispatches from the fringes: Liberty Belle delivers beautifully fragile indie-pop that'll appeal to fans of the McLennan end of The Go-Betweens, while The Boy With The Greyhound Tattoo celebrates thirty years of indie-pop with a definitive compilation spanning cinematic orchestral tracks to noisy guitars — "utterly charming" per BBC Introducing. Barrelly Ego offers a grungy coming-of-age case study tackling long-distance relationships, parenthood, and nostalgia, and som som brings lo-fi noise-pop bliss about getting pulled out of the gutter. Get Lost Cassidy Frost rounds things out with something fun, weird, and totally its own thing.