Assistant
Ten Songs and Second LP
Subjangle
I heard of the band only a few months ago, via social media. I’d seen a Tweet about jangly pop and, because listening to lots of music is good to do, particularly when it’s new to you, I gave their debut LP a spin on Bandcamp. Now, I am a fan of the writer, John Wyndham, so the opening song has the right title for me. However, it was the second track, Freaks, that absolutely caught my ear. That catchy bass hook! The noisy guitar that comes to the front of the mix! The vocalist who doesn’t try too hard to ‘sing’ the song. It felt like I was in the best years of my youth rather than the later years of middle age. It’s right up my rue, as they say en France.
Yes, it’s jangly indie, but it has an edge to it that, to my mind, puts it in that sort of early nineties musical neighbourhood. There’s that DIY element to the songs, which gives them a real personality that polished production might rub away. No-one need ever know, is a straight up pop hit, despite its rather downcast lyrics. In fact, all the songs have that sort of pop feel to them, like a lot of songs by The Smiths always did. And while I don’t think there is any more of a comparison here, the songwriting definitely feels like it owes a tip of the hat to Stephen Morrissey, as well as Damon Albarn, and Crispin Hunt.
The album has many surprises hidden in plain sight. I’ve already mentioned the bass hooks that are given a lot of room to shine on every track, as they should be. But I wasn’t prepared for the boogie-woogie piano riff halfway through Bomber, for example, yet it feels like the song simply wouldn’t work without it. Because of that, this has quickly become one of my favourite tracks.
Across Ten Songs, you’re left with the feeling you’ve heard a band’s sound mature across an album rather than a career. As the album winds into its closing numbers, so the vibe becomes much more chilled. This definitely gives you an idea of where the band ultimately headed, especially with songs they recorded in 2020. You’ll get more introspective jangle pop on closing song, Reasoned,than edgy indie, although Get Away has that Hot Hot Heat vibe, and Losing My Mind soundslike it’s been made in some NYC-Manchester hybrid rather than a British seaside resort.
Brighton has always delivered musically. The scene in the city of Brighton and Hove is hot right now – my (current and ever-changing) picks are Porridge Radio, Opus Kink, KEG, DITZ and Dream Wife, but let’s not forget Blood Red Shoes, Electrelane, 14 Iced Bears… (Oh, the list is too long I’ll have to make a playlist.) Whatever. The point is, I think Assistant deserves a spot on that list.
Ten Songs is the perfect place to start."
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