Near Earth Objects

A slow-burning tribute to the Berlin School tradition — sequenced arpeggios, analog-warm pads, and a patient, hypnotic build that owes as much to Tangerine Dream and Klaus Schulze as it does to the mathematics of orbital mechanics.
"Near Earth Objects" unfolds the way its subject moves — gradual, inevitable, and vast. What begins as a single oscillating pulse slowly accumulates texture and tension, mirroring an object's slow approach before receding again into deep space, the sequence dissolving as quietly as it arrived.